We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.
/
1.
China boy 02:59
-------------------------- CHINA BOY - LYRICS -------------------------- Written by Phil Boutelje and Dick Winfree. Published 1922 And The Angels Sing We meet and the angels sing The angels sing the sweetest song I've ever heard You speak and the angels sing Or am I reading music into every word? Suddenly the setting is strange I can see water and moonlight beaming Silver waves that break on some undiscovered shore Then suddenly I see it all change Long winter nights with the candles gleaming Through it all your face that I adore You smile and the angels sing And though it's just a gentle murmur at the start We kiss and the angels sing And leave their music ringing in my heart And The Angels Sing ------------------------- ABOUT THIS TRACK ------------------------- It was introduced in vaudeville by Henry E. Murtagh and popularized by Paul Whiteman's 1929 Columbia recording featuring Bix Beiderbecke. The song has become a jazz standard and has been recorded by, among others, Louis Armstrong, Mildred Bailey, Sidney Bechet, Gene Kardos, Benny Goodman, Lionel Hampton, Isham Jones, Red Nichols, Charlie Parker, Oscar Peterson, Django Reinhardt and Fats Waller. Movie appearances The song has appeared in numerous films, both credited and uncredited, from 1929 to 1998, including Hold That Kiss (1938), Strike Up the Band (1940), The Benny Goodman Story (1956), The Last Emperor (1987), The Impostors (1998), "Mirrors" (1934), and "Red Nichols and his Five Pennies" (1929).
2.
Coquette 03:48
------------------------- COQUETTE - LYRICS ------------------------- Music by Johnny Green and Carmen Lombardo, lyrics by Gus Kahn. Published december 1928 Tell me, why you keep fooling Little coquette, Making fun of the one who loves you Breaking hearts you are ruling Little coquette, True hearts tenderly dreaming of you. Someday you'll fall in love as I fell in love with you. Maybe the one you love will just be fooling too. And when you are alone with all your regrets, You know, my little coquette, I love you. ------------------------- ABOUT THIS TRACK ------------------------- "Coquette" is a 1928 fox trot jazz standard. It was composed by Johnny Green and Carmen Lombardo, with lyrics by Gus Kahn. Guy Lombardo had great success with the song in 1928.
3.
----------------------------------- THEM THERE EYES - LYRICS ----------------------------------- Written by Maceo Pinkard, Doris Tauber, and William Tracey Published 1930 I fell in love with you the first time I looked into them there eyes And you have a certain lil cute way of flirtin' with them there eyes They make me feel so happy, they make me feel so blue I'm fallin', no stallin' in a great big way for you My heart is jumpin' you started somethin' with them there eyes You'd better look out little brown eyes if you're wise They sparkle, they bubble, they're gonna get you In a whole lot of trouble, oh baby, them there eyes ------------------------- ABOUT THIS TRACK ------------------------- "Them There Eyes" is a jazz song written by Maceo Pinkard, Doris Tauber, and William Tracey that was published in 1930. One of the early recorded versions was performed by Louis Armstrong in 1931. It was made famous by Billie Holiday, who recorded her version in 1939 for Vocalion Records. A version by Emile Ford & The Checkmates reached number 18 on the UK Singles Chart in 1960. Bing Crosby (recorded November 20, 1930 as The Rhythm Boys with Gus Arnheim and his Cocoanut Grove Orchestra.) This was popular and reached the charts of the day in 1931.
4.
---------------------------------------------- I WANNA BE LOVED BY YOU - LYRICS ---------------------------------------------- Music by by Herbert Stothart and Harry Ruby, lyrics by Bert Kalmar, Published 1928 I want to be loved by you, just you, And nobody else but you, I want to be loved by you, alone! Boop-boop-a-doop! I want to kissed by you, just you, Nobody else but you, I want to be kissed by you, alone! Boop-boop, I couldn't aspire, To anything higher, Than, filled with desire, To make you my own! Boop-boop-a-doop, boop-boop-a-doop! I want to be loved by you, just you, And nobody else but you, I want to be loved by you, alone! Aa-ah-um! Boop-boop-a-doop! Daddle-at-dat-dat-dumb, I couldn't aspire, To anything higher, Than, filled with desire, To make you my own, Bup-bum, butle-doodle-dumb-bum! I want to be loved by you, just you, Nobody else but you, I want to be loved by you, a-lup-a-dup-a-dup-a-dup! Boop-boop-a-doop! ------------------------- ABOUT THIS TRACK ------------------------- "I Wanna Be Loved by You" is a song written by Herbert Stothart and Harry Ruby, with lyrics by Bert Kalmar, for the 1928 musical Good Boy. It was first performed by Helen Kane on September 5, 1928, who was the inspiration behind the cartoon Betty Boop. "I Wanna Be Loved by You" was chosen as one of the Songs of the Century in a survey by the RIAA to which 200 people responded (out of 1300 asked). One of Marilyn Monroe's most famous musical performances is her singing the song in Billy Wilder's classic farce Some Like It Hot. The song was first performed in 1928 by Helen Kane, who became known as the 'Boop-Boop-a-Doop Girl' because of her baby-talk, scat-singing tag line to the song. This version was recorded when Kane's popularity started to reach its peak, and became her signature song. Two years later, a cartoon character named Betty Boop was modeled after Kane. Desirée Goyette performs the number as Betty Boop in the 1980s animated film The Romance of Betty Boop. In 1950, the song was a highlight of the Kalmer-Ruby biopic Three Little Words, performed by Debbie Reynolds and Carleton Carpenter as Helen Kane and vaudeville performer Dan Healy. Helen Kane dubbed the vocal for Reynolds’ voice.
5.
Swing 48 03:02
------------------------- ABOUT THIS TRACK ------------------------- Music by Django Reinhardt Published december 1948
6.
Nuages 04:11
------------------------- ABOUT THIS TRACK ------------------------- Music by Django Reinhardt Published december 1940
7.
Hungaria 02:57
------------------------- ABOUT THIS TRACK ------------------------- Music by Django Reinhardt Published 1939
8.
---------------------------------------------------------- THERE WILL NEVER BE ANOTHER YOU - LYRICS ---------------------------------------------------------- Music by Harry Warren, lyrics by Mack Gordon Published 1942 This is our last dance together Tonight soon will be long ago And in our moment of parting This is all I want you to know There will be many other nights like this And I'll be standing here with someone new There will be other songs to sing Another fall, another spring But there will never be another you There will be other lips that I may kiss But they won't thrill me Like yours used to do Yes, I may dream a million dreams But how can they come true If there will never, ever be another you? Yes, I may dream a million dreams But how can they come true If there will never, ever be Another you? ------------------------- ABOUT THIS TRACK ------------------------- "There Will Never Be Another You" is a popular song with music by Harry Warren and lyrics by Mack Gordon that was written for the Twentieth Century Fox musical Iceland (1942) starring Sonja Henie and John Payne. The songs in the film featured Joan Merrill accompanied by Sammy Kaye and His Orchestra. The song was published in 1942. The most popular version, a 1966 Chris Montez recording, went to #4 on the Easy Listening chart and #33 on the Hot 100.
9.
----------------------------------- OUT OF NOWHERE - LYRICS ----------------------------------- Music by Johnny Green, lyrics by Edward Heyman Published 1931 You came to me from out of nowhere You took my heart and found it free Wonderful dreams, wonderful schemes from nowhere Made every hour sweet as a flower for me If you should go back to your nowhere Leaving me with a memory I`ll always wait for your return out of nowhere Hoping you`ll bring your love to me ------------------------- ABOUT THIS TRACK ------------------------- "Out of Nowhere" is a popular song composed by Johnny Green with lyrics by Edward Heyman and published by Famous Music. It was popularized by Bing Crosby, and was the first recording under his Brunswick Records contract. He recorded it on March 30, 1931 and it became his first number one hit as a solo artist. Crosby also sang it in the film Confessions of a Co-Ed (1931) and in his short film I Surrender Dear (1931). He recorded it again in 1954 for his album Bing: A Musical Autobiography. Other 1931 recordings were by Leo Reisman and his Orchestra (vocal by Frank Munn) which reached No. 6 in the charts of the day, Smith Ballew and his Orchestra, Ruth Etting, and Roy Fox and His band (vocal: Al Bowlly) recorded July 31, 1931. The song's harmonic progression has been used in several later songs, such as Alexander Courage's "Theme from Star Trek", Tadd Dameron's "Casbah", Fats Navarro's "Nostalgia", Gigi Gryce's "Sans Souci", and Lennie Tristano's "317 East 32nd Street." It has become a jazz standard, with dozens of instrumental and vocal versions by various artists.
10.
------------------------- ABOUT THIS TRACK ------------------------- Music by Django Reinhardt & Stephane Grapelli Published december 1939
11.
-------------------------------------- AFTER YOU'VE GONE - LYRICS -------------------------------------- Music by Turner Layton, lyrics by Henry Creamer Published december 1918 Now won't you listen honey, while I say, How could you tell me that you're goin' away? Don't say that we must part, Don't break your baby's heart You know I've loved you for these many years, Loved you night and day, Oh! honey baby, can't you see my tears? Listen while I say After you've gone and left me cryin' After you've gone there's no denyin' You'll feel blue, you'll feel sad You'll miss the dearest pal you've ever had There'll come a time, now don't forget it There'll come a time when you'll regret it Someday, when you grow lonely Your heart will break like mine and you'll want me only After you've gone, after you've gone away After you've gone and left me cryin' After you've gone there's no denyin' You're gonna feel blue, and you're gonna feel sad You're gonna feel bad And you'll miss, and you'll miss, And you'll miss the bestest pal you ever had There'll come a time, now don't forget it There'll come a time when you'll regret it But baby, think what you're doin' I'm gonna haunt you so, I'm gonna taunt you so It's gonna drive you to ruin After you've gone, after you've gone away. ------------------------- ABOUT THIS TRACK ------------------------- "After You've Gone" is a 1918 popular song composed by Turner Layton with lyrics by Henry Creamer. It was recorded by Marion Harris on July 22, 1918, and released by Victor Records. The song became so popular that the sheet music was later decorated with tiny photographs of the 45 men who made the song famous, including Paul Whiteman, Rudy Vallée, B.A. Rolfe, Guy Lombardo, and Louis Armstrong. The chorus adheres to a standard ABAC pattern but is only 20 measures long. There are four 4-bar phrases, followed by a 4-measure tag. The song is harmonically active, with chord changes in almost every measure. The opening four notes are identical to the opening notes of "Peg o' My Heart" (1912) — at the time songwriters often borrowed the first few notes of a hit melody.

about

--------------------------------------------------
THE SYNCOPATED TIMES (USA - REVIEW)
--------------------------------------------------
By Dave Doyle - Album Reviews
syncopatedtimes.com/benoit-viellefon-and-his-hot-club-%e2%80%a2-paris-1936-london-2016/

As a pianist, I’m drawn to any album which puts the storehouse center stage. It’s rare that I’ll get excited about a Benny Goodman, Louis Armstrong, or Tommy Dorsey disc when raiding charity shop record bins—a hobby I very much hope to resume soon—but I’ll pounce on anything which flashes me that eighty-eight-toothed, black-and-white smile; some of my most-played records include those by Joe “Fingers” Carr, Nat King Cole, and Jelly Roll Morton.

But there’s one eight-fingered string-slinger whose vinyls always catch my eye; a virtuoso of their belly fiddle who will always have a place on my record shelf. Of course, I’m talking about Django Reinhardt.

Perhaps it’s the fact that my old Uncle Joe—whose excellent musical tastes were the crucible of my own—is a huge Django fan. Maybe it’s the timeless, effortlessly loveable, laid-back sound of French hot jazz. Either way, Django gets a seat at my top table alongside musicians wielding way more strings. So I’m a very eager (if slightly late) arrival at the “Chateau de Viellefon,” proprietor one Benoit Viellefon, another jazz guitarist who could almost be mistaken for his late compatriot’s ghost (in look and sound).

Hailing from Paris, Benoit is now a staple of the London jazz scene. As well as strumming around 100 gigs a year—including regular Sunday night slots at Ronnie Scott’s—he and his various outfits are hot property on the British swing dance circuit. Benoit has recorded five albums in the last five years, latterly with his Hot Club quartet, in the shape of Paris 19:36 – London 20:16.

This effort offers a great mix of tempos, showing off the group’s talents at paces suitable for Lindy Hop, balboa or an end-of-night shuffle-and-sway. It features solid recreations of Django classics like “HCQ Strut” and “Hungaria,” as well as hot jazz takes on contemporary hits like Fats Waller’s “How Can You Face Me” and “Honeysuckle Rose,” which were recorded by the great guitarist. (The last of these new versions achieves peak French, in showcasing Benoit’s own charmingly Continental voice.)

“I Can’t Give You Anything But Love” is one of my all-time favorite numbers: it really is difficult to spoil, no matter who’s performing it. So I was utterly delighted by Benoit’s upbeat arrangement, graced with another beautiful French-accented vocal by Gabrielle Ducomble. Likewise, Daniel Oates’s singing on “I Fall In Love Too Easily” is suitably Gallic—in its recumbent style, if not in vowel sounds—being very much evocative of the superb Chet Baker version.

Recorded late last year—old-school, around just a couple of condenser mics—Paris 19:36 – London 20:16 achieves its aim of transporting listeners to a smoky French cellar eighty years ago. And I’m pleased to note that it even features some sterling stride piano—listen for it on “HCQ Strut,” “Nuages,” and “Swing 48.”

So if your idea of a good time involves fiddles duelling with clarinets, backed by a rhythm section hotter than the French Riviera in high summer, then this is the disc for you. Find it on Benoit’s Bandcamp page and keep this outstanding outfit together, until we can enjoy them live again.

--------------------------------------------------
Dave Doyle is a swing dancer, dance teacher, and journalist based in Gloucestershire, England. Write him at contact@davedoyle.co.uk. Find him on Twitter @DaveDoyleComms.
--------------------------------------------------

credits

released November 1, 2023

--------------
MUSICIANS
--------------
Benoit Viellefon - Lead Vocals, Rhythm guitar
Andrew Oliver - Piano
Dan Oates - Violin
Dave Shulman - Clarinet
Duncan Hemstock - Clarinet
Harry Diplock - Lead guitar
Eleazar Speeafico Ruiz - Double bass
Louis Thomas - Double bass
Martin Weatley - Lead guitar
Tom Dennis - Trumpet

Vocalists:
Benoit Viellefon - Track 4 & 11
Gabrielle Ducomble - Track 1
Duncan Hemstock - Track 4
Dan Oates - Track 7


Recorded in 3 days in the autumn of 2016 at Porcupine Studio London.
Engineer by Nick Taylor.
Produced by Benoit Viellefon & Nick Taylor.


---------------------------------------------
ABOUT THIS HOT CLUB RECORDING
---------------------------------------------
By Benoit Viellefon

After 9 years on the circuit and about 1300 concerts, I have finally recorded the Hot Club playing 1930-40's Hot Swing and Gypsy Jazz. The band being a firm favourite on the British dance scene, (Balboa, Shag, Fox Trot, Lindy Hop), we were under strong pressure to release an album. Done! The birth was difficult but the baby is cute, and the music is excellent apparently... BUY ONE: You'll keep us going & keep our music alive!

We have tried to replicate that raw energy of the live shows in the studio. Without alcohol and women, it was bound to be a real challenge but somehow it happened. Only traditional recording techniques were used, with all the musicians recording live in the same room through a couple of Neuman condenser microphones. We recorded a total 22 songs over 3 days, split in two digital albums of 11 tracks each available exclusively on Bandcamp: "Paris London" (benoitviellefon.bandcamp.com/album/paris-london) and "London-Paris" (benoitviellefon.bandcamp.com/album/london-paris). There is also a 17 tracks CD version called "Paris 19:36 - London 20:16" (benoitviellefon.bandcamp.com/album/paris-19-36-london-20-16-limited-edition-cd-version-only) exclusively available on Bandcamp. There are not many copies left so hurry and get one!

The tracks were recorded in 2-3 takes each with most of the band’s regular musicians so it reflects the spontaneity that we have on stage, and the ever flexible line up, with sometimes piano or guitar, and violin or trumpet plus inevitably double bass, with myself on guitar and vocals. There are also couple of guest singers/musicians, you will be surprised!

This album, according to the fans and critics who got to listen to it before the official release, is our finest recording to date...

license

all rights reserved

tags

about

Benoit Viellefon London, UK

Benoit Viellefon is a French singer and guitarist established in the UK. Specialised in 1920's 1930's and 1940's music, Benoit is resident at Ronnie Scotts and other famous clubs. Benoit appears in many Hollywood films, TV and radio productions, festivals, and performed for VIP such as Madonna, the Queen, or the Kremlin. He often tours with his 3 bands: The Orchestra, the Hot Club, the trio. ... more

contact / help

Contact Benoit Viellefon

Streaming and
Download help

Shipping and returns

Report this album or account

Benoit Viellefon recommends:

If you like London Paris, you may also like: