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    In the early 2000s, the swinging music of the 1920s, 1930s and 1940’s was not considered fashionable and was all but forgotten by record companies and the world of show business.

    Since then, away from commercial music, from the fakery and manufactured artists of contemporary pop music, a revival has taken place across the world. The music, fashion, dance steps and lifestyle of this bygone era have captured the imagination of a new generation searching for a real experience. Retro clubs, period dance events, vintage fashion and swing music has spread just about everywhere in Europe and the USA and, it is no exaggeration to say that at the heart of the London revival scene is Benoit Viellefon & His Orchestra. And their growing fan base demonstrates time-and-time-again the public’s love for this music and lifestyle.

    Presently, after five years and over 600 concerts, Benoit Viellefon & his Orchestra are proud to present their landmark album Mon Amour. The album was recorded in January 2014 by extraordinary sound engineer Nick Taylor, at London's Porcupine Studios, a family run studio that has been a second home to successive generations of legendary British jazz artists since the early 1960s. Featuring a selection of tunes from the 1920s to the early 1950s, specifically the songbooks of the USA, England, and France, the album is an exciting look at the music of a time when dancing and entertainment were key, arguably show-business’ golden era!

    At the core of the album is the admirable rhythm section of drummer Gaspar Sena, bassist Geoffrey Threadgold and pianist Joe Webb, never failing to provide the swinging beat that drives the music and gets people moving on the dance floor. With the assistance of Sena, Webb worked tirelessly orchestrating the music. Brought together tastefully and stylishly, the arrangements are the Orchestra’s chance to put their stamp on the history of this music. Executing the horn arrangements and weighing in with inventive and swinging solos are the horn section. Talented reedsman Dave Shulman and trumpeter Pete Horsfall are founding members of the Orchestra. Their contribution is complemented by the tenor saxophone work of Duncan Hemstock and the tight section playing of saxophonist Fraser Smith and trumpeter Evan Clegg.

    Captured perfectly on the album are Benoit’s charm and personality, facets that tie the band together and give them a unique identity. In addition to contributing three original compositions, he provides both the quirky lead vocals (complete with French accent) and stomping rhythm guitar throughout. Making their debut with the Orchestra are Gabrielle Ducomble, an outstanding vocalist from Belgium now working in London, and talented actress and singer, Anna Tyrie. Their valuable contributions take the form of three duets with Benoit; title track Mon Amour sung in French by Gabrielle, the classic Cheek to Cheek, and original composition It Ain’t Me both sung by Anna. Not to mention their silky harmonies on Pennies From Heaven.

    Benoit Viellefon & his Orchestra have been fiercely independent in performing, producing and financing their own music. Wherever they play, they never falter in their endeavour to entertain their many audiences and to conquer each and every one of their hearts.

    Includes unlimited streaming of Mon amour via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of London Paris, Paris London, Caught on film (Live at Oriole), Swing a la mode, (CD only!) Paris 19:36 - London 20:16, Out with the wrong women, Mon amour, Live at the Quecumbar, and 1 more. , and , .

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1.
---------------------------------- IT MUST BE JELLY - LYRICS ---------------------------------- Written by: Chummy McGregor & George Williams 1942 Published 1942 Well it must be jelly babe Because jam don’t shake like that. Well it must be jelly babe Because jam don’t shake like that. Oh I love you mama Because you’re so big and fat.
2.
--------------------------------------------- CA SE FAIT CA SE FAIT PAS - LYRICS --------------------------------------------- Written by: Alix Combelle, Leon Gaste, Francis Blanche 1941 Published 1941 Ca se fait, Ca se fait, ahhh ca se fait pas! Y’a des tas de gens, des vrais savants Qui ont lu de fort beaux livres A propos du savoir vivre Ce qui se fait ou pas On le sait déjà Quand on a de l’éducation On sait faire la distinction! Aller a l’opéra - Ca se fait, Manger de l’ananas - Ca se fait, Manger de l’ananas a l’opéra – Ahhhh ca se fait pas! Se faire du pied parfois - Ca se fait, Et meme se faire du plat - Ca se fait, Mais mettre directement les pieds dans le plat – Ahhh ca se fait pas! Y’a des choses dans l’existence Qui se font qui ne se font pas Et pour saisir la nuance Il suffit d’essayer une fois! Chanter l’avé Maria - Ca se fait, Chanter zoo zoo zoo za - Ca se fait, Mais chanter la grand messe sur cet air la – ahhh ca se fait pas! Faire la cour a son amour Au café ca ca se fait Mais faire le café dans la cour Ca par contre ca ce fait jamais Ecrire deux lettres par mois - Ca se fait, Trois lettres une autre fois - Ca se fait, Mais envoyer les cinq lettres a la fois – Ahhh ca se fait pas!
3.
-------------------------------------------------------------------------------- YOU RUN YOUR MOUTH I RUN MY BUSINESS BROTHER - LYRICS -------------------------------------------------------------------------------- Written by: Lil Hardin Armstrong Published 1940 You catch me beatin' up your chops?
 I ought to turn you over to the cops,
 But dig this spiel I'm going to lay on you, gate,
 Don't cop your broom, park the body and wait.

 You run your mouth and I'll run my business, brother,
 You run your mouth and I'll run my business, brother,
 You tell everybody I'm busted,
 You talk so much you got me disgusted.
 But you run your mouth and I'll run my business, brother.

 You run your mouth and I'll run my business, brother,
 You run your mouth and I'll run my business, brother,
 You start in tellin' me you're my pal,
 And end up tellin' me how to handle my gal,
 You run your mouth and I'll run my business, brother.

 You run your juicy mouth and I'll run my business, brother,
 Just run your juicy mouth and I'll run my business, brother,
 You always tellin' me what to do,
 Sayin', "I wouldn't do that if I was you!"
 You run your mouth and I'll run my business, brother.

 Just clap your liver lips and I'll run my business, brother,
 Clap your liver lips and I'll run my business, brother,
 If I'd followed your advice on how to make dough,
 I'd been in the jailhouse long ago.
 You run your mouth and I'll run my business, brother.


4.
Mon amour 02:48
---------------------------- MON AMOUR - LYRICS ---------------------------- Words & music by Benoit Viellefon Published 2012 Mon amour, je t’aimerais toujours, Tant que tu seras belle, Il me poussera des ailes. Ma chérie, toi et moi pour la vie, Tant que tu seras jolie, Tu me feras envie. Et si un jour tu deviens grosse C’est parce qu’on aura fait des gosses ; Mais pour moi tu seras la même, Et tous les jours je dirais « Je t’aime » Mon amoureuse, tu ne sais pas cuisiner, Mais t’es si bien roulée, Je veux bien me marier ! Mon amour, je t’aimerais toujours, Tant que tu auras de cheveux Je te dirais « je veux » Mon lapin, demande-moi ma main, Un diamant ca fait bien, Mais n’attends pas demain Et si un jour tu deviens gras, Il faudra que je trouve un autre gars, Un qui n’a pas besoin de bretelles, Et qui me dit que je suis belle ! Mon amoureux, t’es pas une bête au pieux Mais je ne ferais pas la gueule, Je ne serais pas bégueule, Et même si on s’engueule, Ca vaut mieux que d’être seul.
5.
It ain't me 02:23
------------------------- IT AIN'T ME - LYRICS ------------------------- Music by Joe Webb & Benoit Viellefon, lyrics by Benoit Viellefon Published 2014 I don’t know I don’t care I don’t want to hear I don’t know I don’t care It ain’t me! Don’t know why You always Put the blame on me I don’t know I don’t care It ain’t me! You don’t know what you’re saying All you do is do my head in And you scream And you shout Why don’t you get out? You are mean I was right It ain’t me!
6.
------------------------------- EGYPTIAN ELLA - LYRICS ------------------------------- Written by Walter Doyle Published 1931 Ella was a dancing girl who started getting fat Every day saw three more pounds on Ella Until one day she found she'd lost her job because of that And to make it worse, she'd lost her fella She took a trip to Egypt to forget And she made such a hit that she's there yet. If you hear of a gal who can quake and shake 'Till it makes you think of a nervous snake They're speaking of Egyptian Ella She weighs two-twenty but they don't care They like 'em plenty that way out there She has the love of every fella Well she does a certain dance with certain parts Down the River Nile Which makes the boys take their old sweet-hearts And throw them to the crocodiles And every sheik in the audience Jumps up and offers their love intents, Oh how they love Egyptian Ella. All the boys hang around but she clearly states That she doesn't give a fig about dates They couldn't take Egyptian Ella Well a sheik tried to kidnap her once I'm told She shook so much he lost his hold He couldn't take Egyptian Ella And the Pasha wrote a royal note with his royal fist Which states because of the dance she does She's on royal wedding list And that's how fame of a different sort Has come at last from an indoor sport Oh how they love Egyptian Ella
7.
My woman 02:59
-------------------------- MY WOMAN - LYRICS -------------------------- Written by Bing Crosby, Max Wartell, Irving Wallman Published 1929 My woman is mean as she can be My woman, she makes a fool of me Never treats me good Don’t know why I should love her. She’s lying when she says “I love you” I know it but what am I to do Though she makes me cry, I don’t care ’cause I love her. Once I laughed at love, Thought it all wrong An she cam along like a news song Now I sing a blue song. My woman, she has a heart of stone Not human but she may be my own Till the day I die I’ll always love my woman.
8.
----------------------------------------------------- FERME LA BOUCHE - LYRICS ----------------------------------------------------- Written by Taps Miller, Armand Gordon Published 1946 Ferme la bouche si tu dis des bêtises, 
 Ferme la bouche si t’es cinglé
 Ferme la bouche mais qu’est-ce que tu racontes
 Si tu sais pas ce que tu dis tu fermes la bouche

 Ferme la bouche ça n’a ni queue ni tête
 Ferme la bouche oh quel casse pied
 Ferme la bouche sais tu que tu nous embêtes ?
 Si tu sais pas ce que tu dis tu ferme la bouche

 Et patati et patata blablabli et blablabla
 Et patati et patata blablabli et blablabla

 Ferme la bouche tu nous rends tous malades
 Ferme la bouche quel heur est-il ? Ferme la bouche ça devient insupportable
 Si tu sais pas ce que tu dis tu fermes la bouche
9.
--------------------------------------------------------------------- EVERYTIME I HEAR THAT MELLOW SAXOPHONE - LYRICS --------------------------------------------------------------------- written by Ray Montrell, J. Marascalco, and S.R. Blackwell Published ? I wanna mambo, sambo, do my number Hold my baby all the summer Every time I hear that mellow saxophone I wanna rip it rock it, really bop it Flip it, flop it, Davy Crockett Every time I hear that mellow saxophone I wanna rock rock rock Roll roll roll Bop bop bop I wanna rip it rock it, really bop it Whoaaaaa, Davy Crockett Every time I hear that mellow saxophone I wanna rock rock rock Roll roll roll Bop bop bop
10.
------------------------------------------------------------------- MY DOG IS A GYPSY - LYRICS ------------------------------------------------------------------- Words & music by Benoit Viellefon Published 2012 My dog is a gypsy He’s always tipsy My dog is a manouche, And he smells rather louche. I don’t know where he’s going But I know where he’s fouling. My dog is a gypsy And he wont listen to me. My dog is a gypsy He’s always so hungry. He digs through the garbage Eats what he can salvage. I don’t know where he’s gone But I hear what he’s done. My dog is a gypsy And he won’t listen to me. My dog is a gypsy He’s not really pretty. My dog is not farouche, But he smells rather louche I don’t know where he’s going But I know where he’s licking. My dog is a gypsy And he won’t listen to me My dog is a gypsy He’s always so horny. My dog is a real stud Always covered in mud. I don’t know where he’s gone But I hear what he’s done. My dog is a gypsy And he won’t listen to me.
11.
---------------------------------------------------------------------------- IT DON'T MEAN A THING IF IT AI'NT GOT THAT SWING - LYRICS ---------------------------------------------------------------------------- Music by Duke Ellington, lyrics by Irvin Mills Published 1931 It don't mean a thing, if it ain't got that swing (doo wap…) It don't mean a thing all you got to do is sing (doo wap…) It makes no difference If it's sweet or hot Just give that rhythm Everything you've got It don't mean a thing, if it ain't got that swing (doo wap…) It don't mean a thing all you got to do is sing (doo wap…)It makes no difference ------------------------- ABOUT THIS TRACK ------------------------- "It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Irving Mills. It is now accepted as a jazz standard, and jazz historian Gunther Schuller characterized it as "now legendary" and "a prophetic piece and a prophetic title". In 2008, Ellington's 1932 recording of the song was inducted into the Grammy Hall of Fame. The music was composed and arranged by Ellington in August 1931 during intermissions at the Lincoln Tavern in Chicago; the lyrics were contributed by Irving Mills. According to Ellington, the song's title was the credo of trumpeter Bubber Miley, who was dying of tuberculosis at the time; Miley died the year the song was released. The song was first recorded by Ellington and his orchestra for Brunswick Records on February 2, 1932. Ivie Anderson sang the vocal and trombonist Joe Nanton and alto saxophonist Johnny Hodges played the solos. In later performances, trumpeter Ray Nance often sang the vocal. The song became famous, Ellington wrote, "as the expression of a sentiment which prevailed among jazz musicians at the time." It contains one of the earliest uses in popular music of the term "swing".
12.
----------------------------------------------------- CHEEK TO CHEEK - LYRICS ----------------------------------------------------- Written by Irving Berlin Published 1935 Heaven, I'm in Heaven, And my heart beats so that I can hardly speak; And I seem to find the happiness I seek When we're out together dancing, cheek to cheek. Heaven, I'm in Heaven, And the cares that hang around me thro' the week Seem to vanish like a gambler's lucky streak When we're out together dancing, cheek to cheek. Oh! I love to climb a mountain, And to reach the highest peak, But it doesn't thrill me half as much As dancing cheek to cheek. Oh! I love to go out fishing In a river or a creek, But I don't enjoy it half as much As dancing cheek to cheek. Dance with me I want my arm about you; The charm about you Will carry me thro' to Heaven, I'm in Heaven, And my heart beats so that I can hardly speak; And I seem to find the happiness I seek When we're out together dancing cheek to cheek
13.
----------------------------------------------------- PENNIES FROM HEAVEN - LYRICS ----------------------------------------------------- Music by Arthur Johnston, lyrics by Johnny Burke Published 1936 Every time it rains, it rains pennies from heaven Don't you know each cloud contains pennies from heaven? You'll find your fortune's falling all over the town Be sure that your umbrella is upside down Trade them for a package of sunshine and flowers If you want the things you love, you must have showers So, when you hear it thunder, don't run under a tree There'll be pennies from heaven for you and me Every time, every time it rains, it's gonna rain pennies from heaven Don't you know every cloud contains lots of pennies from heaven You'll find your fortune's falling, baby, all over the town Be sure, be sure that your umbrella is upside down Trade them for a package of sunshine and flowers If you want the things you love, you've got to have showers So, when you hear it thunder, don't run under a tree There'll be pennies from heaven for you and me
14.
--------------------------------------------------- POLKA DOTS AND MOONBEAMS - LYRICS --------------------------------------------------- Music by Jimmy Van Heusen, lyrics by Johnny Burke Published 1940 A country dance was being held in a garden I felt a bump and heard an "Oh, beg your pardon" Suddenly I saw polka dots and moonbeams All around a pug-nosed dream The music started and was I the perplexed one I held my breath and said, "May I have the next one?" In my frightened arms, polka dots and moonbeams Sparkled on a pug-nosed dream There were questions in the eyes of other dancers As we floated over the floor There were questions, but my heart knew all the answers And perhaps a few things more Now in a cottage built of lilacs and laughter I know the meaning of the words "ever after" And I'll always see polka dots and moonbeams When I kiss the pug-nosed dream

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ABOUT THIS ALBUM:
Second album of Benoit Viellefon & His Orchestra.
1000 copies limited edition CD released in 2014. Less than a 100 left: Buy one!

credits

released June 14, 2014

Recorded in 3 days in the spring of 2014 at Porcupine Studio London.
Engineer by Nick Taylor.
Produced by Benoit Viellefon & Nick Taylor.

Benoit Viellefon - Lead Vocals & guitars
Joe Webb - Piano
Geoff Threadgold - Double bass
Gaspar Sena - drums & backing vocals
Dave Shulman - Alto saxophone, clarinet, backing vocals
Duncan Hemstock - Tenor saxophone, backing vocals
Peter Horsfall - 1st trumpet, backing vocals
Evan Clegg - 2nd trumpet
Gabrielle Ducomble - Lead and backing vocals

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Benoit Viellefon London, UK

Benoit Viellefon is a French singer and guitarist established in the UK. Specialised in 1920's 1930's and 1940's music, Benoit is resident at Ronnie Scotts and other famous clubs. Benoit appears in many Hollywood films, TV and radio productions, festivals, and performed for VIP such as Madonna, the Queen, or the Kremlin. He often tours with his 3 bands: The Orchestra, the Hot Club, the trio. ... more

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